![]() He trained at Queensland Conservatorium of Performing Arts (Griffith University), and attained a Bachelor of Musical Theatre. Patrick's performance credits include The Gruffalo, Room on the Broom (CDP), The Macbeths, Romeo and Juliet (Shake & Stir Theatre Co.), The Producers (Altitude Theatre/Brisbane Powerhouse), Mamma Mia (Matt Ward Entertainment), Live at the Trocadero (Theatreroo), Cloudland: The Musical (Arts Queensland), Three, Bailamos, Ballroom Fever, Pure Country, and Piano Man (Royal Caribbean International). Annie is currently in CDP's touring production of Are We There Yet? and runs Legit Theatre Co with Mathew Lee, organising Teeth Cutting at KXT. Her screen credits include The Let Down, The Last King Of The Cross and My First Panic (AFTRS) which screened at FlickerFest 2020.Īnnie has been working with the Australian Shakespeare Company on their Wind in The Willows Production and their School Incursions. Since graduating, Annie's credits in theatre include Stupid Fucking Bird (New Theatre) for which she won a Sydney Theatre Award for 'Best Female Actor in a Supporting Role in an Independent Production', Pinocchio, The Rime of The Ancient Mariner & Symphonie Fantastique (Little Eggs Collective), Betty Breaks Out (Life After Production), Coram Boy (KXT bAKEHOUSE) and La Traviata (Handa Opera on Sydney Harbour, Opera Australia) among many more. Annie Stafford - GraceĪnnie is a National Institute of Dramatic Arts graduate, where she had the honour for working with Roger Hodgman, Priscilla Jackman, Craig Ilott, Anthea Williams and more. ![]() Most recently, Samuel performed alongside The Metropolitan Orchestra in their Cushion Concert series and now looks forward to performing with CDP Theatre Producers once again in Are We There Yet?. Since then, Samuel has been a part of productions such as Heathers: The Musical (The Mitchell Old Company), Three Winters Green (Lambert House Enterprises) and Relative Merits (Lambert House Enterprises). He reprised his role as Andy in the national tour of The 91-Storey Treehouse (CDP Theatre Producers) which was nominated for 'Best Production for Children' at the 2021 Sydney Theatre Awards. Upon graduating, he made his professional stage debut playing Andy in The 78-Storey Treehouse (CDP Theatre Producers), touring nationally in 2018. Samuel studied at the Western Australian Academy of Performing Arts (WAAPA), graduating from the three-year Bachelor course in 2016. From an early age, he always had a love for performing, predominantly through music. Samuel was born and raised in the coastal town of Port Macquarie on the New South Wales Mid North Coast. "I think the simplest way of thinking about it is that the metaverse is the next phase of the internet," replies Shah, in terms that mean absolutely nothing to an average consumer.2023 Australian Tour Samuel Welsh - Billy "How would you describe, in simple terms, the metaverse to someone who has no clue what it's about?" asks Palmer. But as the duo "drives" down a virtual road, passing a floating skateboard the length of a city block and two massive paddles playing ping pong in mid-air, it becomes clear that Meta still has absolutely no idea how to explain its products to normies. Palmer is ( as always) a delight, as is the company's metaverse VP Vishal Shah, who breezily jokes with her while hitting talking points. I am sorry to report that the first episode of the series does none of those things. Basically, how can the metaverse can enrich your life, enhance your happiness, bring you closer to friends, and help you learn new things? ![]() Given that mission, the series should start with the basics: How a consumer can access the metaverse through a virtual reality headset, what kind of impressive entry-level experiences they can have there, and how those experiences might fit into their daily lives.
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